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William Etty
Hero and Leander 1
1828/29
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William Etty
The Storm 7
1830
City Art Gallery, Manchester
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William Etty
Hero and Leander (nn03)
1828-9 Oil on canvas 77 x 95 cm 30 1/2 x 37 1/4 in Private collection
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William Etty
Thwe Judgement of Paris
1843
Oil on canvas 182.9 x 274.3cm
(72 x 108in)
Lady Lever Art Gallery Port Sunlight Livepool (mk63)
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William Etty
Reclining Femal Nude with Her Arm on a ledge
mk221
Oil on canvas
42.5x50.4cm
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William Etty
Candaules, King of Lydia, Shews his Wife by Stealth to Gyges
Candaules, King of Lydia, Shews his Wife by Stealth to Gyges, One of his Ministers, As She Goes to Bed by William Etty.
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William Etty
Female Nude In a Landscape
Female Nude In a Landscape
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William Etty
Female Nude in a Landscape by William Etty.
Nu au milieu d'un paysage, 1820 - 1830,
Oil on paper mounted on masonite, 44.92 x 53.66 cm,
J. Paul Getty Museum, Los Angeles, California, USA
Female Nude in a Landscape by William Etty.
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William Etty
Etty Female Nude
1820 - 1830,
Oil on paper mounted on masonite, 44.92 x 53.66 cm,
cyf
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William Etty
Christ Appearing to Mary Magdalene after the Resurrection exhibited 1834
407 x 667 mm painting
Oil on canvas
cjr
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William Etty
Il Duetto
Oil on mahogany
1838
381 x 492 mm painting
cjr
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William Etty
Duet
Oil on mahogany support: 381 x 492 mm painting
cyf
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William Etty
Christ Appearing to Mary Magdalene after the Resurrection
Oil on canvas support: 407 x 667 mm painting
cyf
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William Etty
Youth on the Prow and Pleasure at the Helm
Oil on canvas support: 1587 x 1175 mm painting
cyf
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William Etty
Seated Female Nude
1830s
Medium Oil on paperboard
Dimensions 68.6 x 52.7 cm
cyf
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William Etty
The judement of Paris
1787-1849
Medium oil on canvas
Dimensions ? X ? cm
cyf
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William Etty
A putto collecting flowers
oil on panel
Date 19th century
cjr
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| William Etty
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1787-1849
English
William Etty Location
English painter. Born into a Methodist family, he was the seventh child of a miller and baker in Feasegate, York, and in 1798 he was apprenticed as a printer to Robert Peck, publisher of the Hull Packet. Financial support from his uncle, a banker, allowed him to go to London in 1805, where he entered the Royal Academy Schools in 1806. For a year, in 1807-8, he was a pupil of Thomas Lawrence, who greatly influenced him. Following the death of his uncle in 1809 he became financially secure. From 1811 he exhibited regularly at the Royal Academy and the British Institution and in 1816 worked in the studio of Jean-Baptiste Regnault in Paris.
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